the prints

Above is Buzz II, an etching Briony made in 2013. He won’t be appearing in our edition of Dunwich, but he’s very much an inspiration for the prints that will. And he’s watching us…

Lots (most) 20th century books with relief illustrations (e.g. wood engravings) – including most “fine press” books – were printed with presses that were automated to some degree; that isn’t really possible with intaglio, it’s all handwork. When printing a finished plate of the size being used for The Dunwich Horror, inking and printing takes at least 10 minutes for each impression, so Briony can average about 4 or 5 prints an hour.

Due to the time (and thus, cost) of pulling prints, and a desire to keep what will already be an expensive book from being prohibitively so, we decided to set the number of prints to be included at five. But Briony had ideas for eight prints. Rather than making the difficult decisions of which three to cut, we struck upon a plan that will make future cataloguers’ lives a nightmare:

The first 20 copies will contain all eight of the aquatints Briony had sketched out for the project: a frontispiece, an introductory print, and six interior prints. These six prints will be identified by a letter (A – F) in the plate.

The edition’s remaining 30 copies will each contain the frontispiece and introductory print, and three of the interior prints. But which combination of three will vary from copy to copy (e.g. A, B & C, or B, D & F, etc.), and thus only two copies from the 30 will have the same combination. (Sorry, no, we won’t be able to entertain requests for a specific combination; they’ll all be excellent.)